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Transnasionalisasi Muzik Indonesia: Makna Kultural dan Fungsi Sosiopolitik Resepsi Muzik Pop Minang di Malaysia

Suryadi, (2007) Transnasionalisasi Muzik Indonesia: Makna Kultural dan Fungsi Sosiopolitik Resepsi Muzik Pop Minang di Malaysia. Wacana Seni (Journal of Arts Discourse), 6 . pp. 1-30. ISSN 1985-8418

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Affiliations

Leiden University, Netherland.

Abstract

Muzik Indonesia telah mendapat perhatian cukup meluas daripada para peneliti kebudayaan Indonesia. Publikasi ilmiah tentang muzik dan negara yang terdiri dari ratusan puak (etnis) ini — sama ada genre tradisional ataupun moden/popular, muzik nasional mahupun muzik daerah — sudah banyak. Studi-studi itu yang berangkat daripada pelbagai perspektif teori dan metodologi, telah memfokuskan perhatian pada pelbagai aspek muzik Indonesia: ada kajian yang memberi tekanan pada aspek kulturalnya, estetis dan puitis, ekonomis, dan juga representasinya dalam media audiovisual (gramoton, kaset, CD, VCD, filem, dan televisyen). Dalam dua dekad kebelakangan ini, peneliti tampaknya juga makin tertarik pada aspek politik muzik Indonesia yang sering dihubungkaitkan dengan fenomena globalisasi kebudayaan, politik, mahupun ekonomi. Sebagai contoh, lihat misalnya studi mutakhir daripada Jeremy Wayne Wallach, Modrrn Noise and Ethnic Accents: Indonesian Popular Music in the Era of Reformasi (2002).

Item Type:Journal
Keywords:Music, Indonesian
Subjects:M Music and Books on Music
N Architecture, Fine Arts, Performing Arts
ID Code:9360

[Surat Khabar/Berkala] Kompas (Jakarta), 2001, 2002 Padang Ekpres (Padang), 2005, 2006 Pandji Poestaka (Djakarta), 1939

Sinar Sumatra (Padang), 1937, 1939 Tempo (jakarta), 2007

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